Poems composed on the conflict over the Japan-US Security Treaty in 1960 and the campus disturbances around 1970.

Since the 1970s in which Japanese society achieved rapid economic growth, it became very difficult to raise incidents directly through shakaiei.

Prior to World War II, they were called 'jindaishi (history of mythological age)' or 'taikoshi (history of ancient times)' and, after the war (until the 1970s) Kiyohiho AGO called them 'chokodai monjo (super-ancient documents).'

58 percents of them were published after 1970, and more than 25 percents were for the three years between 1976 and 1978.

"The Japanese and the Jews" by Isaiah Ben-dasan (translated by Shichihei YAMAMOTO), Bungeishunju Ltd. (1970, now it has been published by Kadokawa Group Publishing Co., Ltd. as a book written by Shichihei YAMAMOTO, 2004.)

Since around the latter half of the 1970s, the tone of argument as follows could be seen a lot; 'Japanese-style management' such as lifetime employment and a seniority system form the foundation of economic development in Japan (Japanese-style management).

The eighteenth series of the Shinshicho (1969-1970)

Acted by Asahi KURIZUKA "Moeyo Ken" Year 1970, by TV Asahi.

November 1970 - Trustee, Kyoto University (until April 1971)

1970 – (14y.o.) Accredited master

After he retired from Kyoto University in 1970, he became professor emeritus for Kyoto University.

The book "SAIGO Takamori," which was simply an organized biography of Takamori SAIGO that was distributed to elementary students in Kagoshima Prefecture free in 1970's, explained that he was not lacking manners, that is, he was not a person who would have gone out to meet people without dressing properly, according to his wife's word.

Until recently Jakuchu was known only to few, but with the publication of "Kiso no Keifu" by Nobuo TSUJI in 1970, his work entered the limelight with particularly praise coming in the latter half of the 1990s for his unique technology and construction, which dramatically increased his name recognition and popularity.

From the Meiji period onwards, Shohaku was not highly rated but he was featured in series of articles called 'Kiso no Keifu' (Lineage of Bizarre) run in "Bijutsu Techo" in the 1970's and this triggered renewed public interest in Shohaku as an individualistic painter in the Edo period.

However, from the 1970's, developments in the study of shoen history led to this theory being revised in three ways.

Firstly, following detailed research that appeared in Yoshihiko AMINO's "Wakasa no kuni ni okeru shoensei no keisei" (The formation of the manor system in Wakasa Province) (1969), Susumu ISHII's "Insei jidai" (The Age of Cloistered Emperors) (1970) and "Oota Fumi" (The letters of Oota) in "Sobu no bushidan" (Bushi groups of the Sobu region), which appears in "Kamakura bushi no jitsuzo" (The Real Face of Kamakura Warriors) (1978), it became clear that most manors were established after the mid-12th century, during the reigns of the Cloistered Emperors Toba and Gotoba, and that by the time this large-scale expansion stopped in the 13th century, the ratio of shoen to national land was on average of six to four, or about even.

"Osaka-jo no Onna" (Woman in Osaka-jo Castle" (1970, Fuji Television, portrayed by Kaoru YACHIGUSA)

1970 in Kyoto City.

He received the Shiju Hosho (medal of honor with purple ribbon) in 1970, the Zui Hosho (Orders of the Sacred Treasure) and the Kyoto City Cultural Order Award in 1973.